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Kingdom of the Planet of the Apes _ Final Trailer
⏲ 2:47 👁 95K
THE SPLENDOR OF AN ECLIPSE OVER NORTH AMERICA
⏲ 0:54 👁 60K
Police release footage of Monroe Co. DA traffic stop Sandra Doorley
⏲ 3:3 👁 35K
Spider-Man (2002) Behind The Scenes Featurette Part 1
⏲ 59:3 👁 15K
UN experts say North Korea missile landed in Kharkiv
⏲ 1:23 👁 15K
Aaron Sorkin Planning a 'Social Network' Sequel: \
⏲ 1:42 👁 15K
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_kingdom-of-the-planet-of-the-apes---final-trailer.jpg "Kingdom Of The Planet Of The Apes Can Utilize The Franchise’s Best Element<br/>Kingdom of the Planet of the Apes will be the fourth entry in the rebooted franchise and can utilize the best element from its predecessors.<br/><br/>Kingdom of the Planet of the Apes is confirmed to release in May 2024 and could utilize the best element of the three films that came before it. The film was announced in September 2022 as a sequel to War for the Planet of the Apes, set many years after Caeser led his tribe of apes to an oasis paradise. The fourth film in the franchise will be directed by Wes Ball, of Maze Runner fame, and has the opportunity to capitalize on one of the most compelling aspects of its previous three entries.<br/><br/>The primary way the film can utilize this element is through the promise of its story. With the title of the film and its released premise promising an exploration of the kingdom Caeser helped build, along with elements from both Dawn of the Planet of the Apes' ending and War for the Planet of the Apes, Kingdom can have one special element.The aspect is in the film's antagonist, specifically Koba from Dawn of the Planet of the Apes. While Woody Harrelson's Colonel was a good antagonist for War for the Planet of the Apes, there is no denying that Koba was far and above the best villain of the original trilogy. This was helped because Rise of the Planet of the Apes did not have a central villain outside of Tom Felton's purposefully dislikable zoo caretaker. Koba, who almost appeared in War, was easily the biggest threat to Caeser and was a genuinely fearsome antagonist.<br/><br/>This largely came from his established history as an abused ape but also because he was an ape himself. As the original trilogy was so focused on the apes sticking together, Koba's villainous turn was terrifying and compelling. With Kingdom of the Planet of the Apes taking place after War, therefore likely meaning that most human military forces are nonexistent due to Caeser's victory over the Colonel and the U.S. Army, the film could introduce another ape as a villain.One of the reasons this could be a great antagonist for Kingdom of the Planet of the Apes' story comes from Koba's effectiveness as a villain and because it would make sense for the franchise. In terms of the latter point, War for the Planet of the Apes introduced Bad Ape, an ape from a zoo in Nevada that was also intelligent. With the Simian Flu making apes more intelligent and having spread across the U.S. for a decade by the point of Kingdom, it makes perfect sense for other ape communities to be scattered across the country.<br/><br/>In establishing another ape colony, the film could introduce a Koba-like villain on an even bigger scale. Rather than having an ape infiltrate Caeser's party from the inside like Koba did, introducing another ape that is more like a replacement Caeser for Kingdom's rival ape tribe could be a very compelling concept. Having that villain have similar unsavory tendencies to Koba could allow Kin")
_the-splendor-of-an-eclipse-over-north-america.jpg "As the cosmos orchestrates its grand ballet, one of the most awe-inspiring performances unfolds when the Earth, Moon, and Sun align in perfect harmony. The spectacle of a solar eclipse, where the Moon casts its shadow upon the Earth, mesmerizes observers worldwide. In recent memory, North America has been graced with the privilege of witnessing such celestial marvels, evoking a sense of wonder and reverence for the cosmos.<br/><br/>The anticipation leading up to an eclipse is palpable. Months, sometimes years, before the celestial event, astronomers and enthusiasts meticulously plan their viewing locations, hoping to secure the optimal vantage point. Whether nestled in the rugged mountains of the Pacific Northwest, perched atop skyscrapers in bustling metropolises, or ensconced within the vast expanses of the Great Plains, observers eagerly await the celestial ballet about to unfold.<br/><br/>On the appointed day, as dawn breaks across the continent, excitement mounts. Weather forecasts are scrutinized with fervor, for clear skies are paramount to a successful viewing experience. As the Moon begins its slow dance across the face of the Sun, the atmosphere crackles with anticipation. With each passing minute, the Sun's brilliance diminishes, casting an eerie twilight across the landscape.<br/><br/>In the moments leading up to totality, a hush falls over the crowd. Birds cease their chirping, and the world seems to hold its breath. Then, as if on cue, darkness descends. The corona, a shimmering halo of plasma, emerges from behind the Moon, bathing the landscape in an ethereal glow. Stars twinkle into view, and the temperature drops, lending an otherworldly ambiance to the scene.<br/><br/>For those fortunate enough to witness totality, the experience is nothing short of transcendent. Time seems to stand still as the Moon's shadow races across the Earth, enveloping everything in its path. In those fleeting moments, observers are granted a glimpse into the cosmic ballet that has unfolded for eons, a reminder of humanity's place in the vast tapestry of the universe.<br/><br/>As quickly as it began, totality ends, and the Sun's brilliance returns with a vengeance. But for those who bore witness, the memories of the eclipse linger long after the last sliver of the Moon has passed. Photographs are cherished, stories are shared, and bonds are forged over the shared experience of witnessing nature's grandeur.<br/><br/>But eclipses are more than just a spectacle; they serve as invaluable opportunities for scientific inquiry. Researchers eagerly seize the chance to study the Sun's corona, probing its mysteries and unlocking the secrets of our nearest star. From the ground and from space, instruments are trained on the Sun, capturing data that will deepen our understanding of solar dynamics and space weather.<br/><br/>Yet, for all our technological prowess, there is something primal about witnessing an eclipse firsthand. In a wo")
_police-release-footage-of-monroe-co-da-traffic-stop-sandra-doorley.jpg "Police release footage of Monroe Co. DA traffic stop Sandra Doorley")
_spider-man-2002-behind-the-scenes-featurette-part-1.jpg "Spider-Man is a 2002 American superhero film based on the Marvel Comics character of the same name, created by Stan Lee and Steve Ditko. Directed by Sam Raimi from a screenplay by David Koepp, it is the first instalment in Raimi's Spider-Man trilogy, produced by Columbia Pictures in association with Marvel Enterprises and Laura Ziskin Productions, and distributed by Sony Pictures Releasing. The film stars Tobey Maguire as the titular character, alongside Willem Dafoe, Kirsten Dunst, James Franco, Cliff Robertson, and Rosemary Harris. The film chronicles Spider-Man's origin story and early superhero career. After being bitten by a genetically altered spider, teenager Peter Parker develops spider-like superhuman abilities and adopts a masked superhero identity to fight crime in New York City, facing the sinister Green Goblin in the process.<br/><br/>Development on a live-action Spider-Man film began in 1975. Filmmakers Tobe Hooper, James Cameron, and Joseph Zito were all attached to direct the film at one point. However, the project would languish in development hell due to licensing and financial issues. After progress on the film stalled for nearly 25 years, it was licensed for a worldwide release by Columbia Pictures in 1999 after it acquired options from Metro-Goldwyn-Mayer (MGM) on all previous scripts developed by Cannon Films, Carolco, and New Cannon. Exercising its option on just two elements from the multi-script acquisition (a different screenplay was written by James Cameron, Ted Newsom, John Brancato, Barney Cohen, and Joseph Goldman), Sony hired Koepp to create a working screenplay (credited as Cameron's), and Koepp received sole credit in the final billing. Directors Roland Emmerich, Ang Lee, Chris Columbus, Barry Sonnenfeld, Tim Burton, Michael Bay, Jan de Bont, M. Night Shyamalan, Tony Scott, and David Fincher were considered to direct the project before Raimi was hired as director in 2000. The Koepp script was rewritten by Scott Rosenberg during pre-production and received a dialogue polish from Alvin Sargent during production. Filming took place in Los Angeles and New York City from January to June 2001. Danny Elfman was hired to compose the film's score, while Sony Pictures Imageworks handled the film's visual effects.<br/><br/>Spider-Man premiered at the Mann Village Theater on April 29, 2002, and was released in the United States on May 3. The film received positive reviews from critics and audiences, who praised Raimi's direction, the story, the performances, the visual effects, the action sequences, and the musical score. It was the first film to reach $100 million in a single weekend, as well as the most successful film based on a comic book at the time. With a box office gross of over $825 million worldwide, it was the third-highest-grossing film of 2002, the highest-grossing superhero film, and the sixth-highest-grossing film overall at the time of release. The film garnered nominations for Best Sound and Best Visual Effects at the 75th A")
_un-experts-say-north-korea-missile-landed-in-kharkiv.jpg "The debris from a missile that landed in the Ukrainian city of Kharkiv on Jan. 2 was from a North Korean Hwasong-11 series ballistic missile, United Nations sanctions monitors told a Security Council committee")
_aaron-sorkin-planning-a-39social-network39-sequel-92.jpg "Aaron Sorkin says he's working on a new potential 'Social Network' sequel. The Oscar-winning screenwriter shared that he's writing a new movie that could serve as a sequel to his 2010 film during a live-from-D.C. edition of 'The Town' podcast.")
_kingdom-of-the-planet-of-the-apes---final-trailer.webp "Kingdom Of The Planet Of The Apes Can Utilize The Franchise’s Best Element<br/>Kingdom of the Planet of the Apes will be the fourth entry in the rebooted franchise and can utilize the best element from its predecessors.<br/><br/>Kingdom of the Planet of the Apes is confirmed to release in May 2024 and could utilize the best element of the three films that came before it. The film was announced in September 2022 as a sequel to War for the Planet of the Apes, set many years after Caeser led his tribe of apes to an oasis paradise. The fourth film in the franchise will be directed by Wes Ball, of Maze Runner fame, and has the opportunity to capitalize on one of the most compelling aspects of its previous three entries.<br/><br/>The primary way the film can utilize this element is through the promise of its story. With the title of the film and its released premise promising an exploration of the kingdom Caeser helped build, along with elements from both Dawn of the Planet of the Apes' ending and War for the Planet of the Apes, Kingdom can have one special element.The aspect is in the film's antagonist, specifically Koba from Dawn of the Planet of the Apes. While Woody Harrelson's Colonel was a good antagonist for War for the Planet of the Apes, there is no denying that Koba was far and above the best villain of the original trilogy. This was helped because Rise of the Planet of the Apes did not have a central villain outside of Tom Felton's purposefully dislikable zoo caretaker. Koba, who almost appeared in War, was easily the biggest threat to Caeser and was a genuinely fearsome antagonist.<br/><br/>This largely came from his established history as an abused ape but also because he was an ape himself. As the original trilogy was so focused on the apes sticking together, Koba's villainous turn was terrifying and compelling. With Kingdom of the Planet of the Apes taking place after War, therefore likely meaning that most human military forces are nonexistent due to Caeser's victory over the Colonel and the U.S. Army, the film could introduce another ape as a villain.One of the reasons this could be a great antagonist for Kingdom of the Planet of the Apes' story comes from Koba's effectiveness as a villain and because it would make sense for the franchise. In terms of the latter point, War for the Planet of the Apes introduced Bad Ape, an ape from a zoo in Nevada that was also intelligent. With the Simian Flu making apes more intelligent and having spread across the U.S. for a decade by the point of Kingdom, it makes perfect sense for other ape communities to be scattered across the country.<br/><br/>In establishing another ape colony, the film could introduce a Koba-like villain on an even bigger scale. Rather than having an ape infiltrate Caeser's party from the inside like Koba did, introducing another ape that is more like a replacement Caeser for Kingdom's rival ape tribe could be a very compelling concept. Having that villain have similar unsavory tendencies to Koba could allow Kin")
_the-splendor-of-an-eclipse-over-north-america.webp "As the cosmos orchestrates its grand ballet, one of the most awe-inspiring performances unfolds when the Earth, Moon, and Sun align in perfect harmony. The spectacle of a solar eclipse, where the Moon casts its shadow upon the Earth, mesmerizes observers worldwide. In recent memory, North America has been graced with the privilege of witnessing such celestial marvels, evoking a sense of wonder and reverence for the cosmos.<br/><br/>The anticipation leading up to an eclipse is palpable. Months, sometimes years, before the celestial event, astronomers and enthusiasts meticulously plan their viewing locations, hoping to secure the optimal vantage point. Whether nestled in the rugged mountains of the Pacific Northwest, perched atop skyscrapers in bustling metropolises, or ensconced within the vast expanses of the Great Plains, observers eagerly await the celestial ballet about to unfold.<br/><br/>On the appointed day, as dawn breaks across the continent, excitement mounts. Weather forecasts are scrutinized with fervor, for clear skies are paramount to a successful viewing experience. As the Moon begins its slow dance across the face of the Sun, the atmosphere crackles with anticipation. With each passing minute, the Sun's brilliance diminishes, casting an eerie twilight across the landscape.<br/><br/>In the moments leading up to totality, a hush falls over the crowd. Birds cease their chirping, and the world seems to hold its breath. Then, as if on cue, darkness descends. The corona, a shimmering halo of plasma, emerges from behind the Moon, bathing the landscape in an ethereal glow. Stars twinkle into view, and the temperature drops, lending an otherworldly ambiance to the scene.<br/><br/>For those fortunate enough to witness totality, the experience is nothing short of transcendent. Time seems to stand still as the Moon's shadow races across the Earth, enveloping everything in its path. In those fleeting moments, observers are granted a glimpse into the cosmic ballet that has unfolded for eons, a reminder of humanity's place in the vast tapestry of the universe.<br/><br/>As quickly as it began, totality ends, and the Sun's brilliance returns with a vengeance. But for those who bore witness, the memories of the eclipse linger long after the last sliver of the Moon has passed. Photographs are cherished, stories are shared, and bonds are forged over the shared experience of witnessing nature's grandeur.<br/><br/>But eclipses are more than just a spectacle; they serve as invaluable opportunities for scientific inquiry. Researchers eagerly seize the chance to study the Sun's corona, probing its mysteries and unlocking the secrets of our nearest star. From the ground and from space, instruments are trained on the Sun, capturing data that will deepen our understanding of solar dynamics and space weather.<br/><br/>Yet, for all our technological prowess, there is something primal about witnessing an eclipse firsthand. In a wo")
_police-release-footage-of-monroe-co-da-traffic-stop-sandra-doorley.webp "Police release footage of Monroe Co. DA traffic stop Sandra Doorley")
_spider-man-2002-behind-the-scenes-featurette-part-1.webp "Spider-Man is a 2002 American superhero film based on the Marvel Comics character of the same name, created by Stan Lee and Steve Ditko. Directed by Sam Raimi from a screenplay by David Koepp, it is the first instalment in Raimi's Spider-Man trilogy, produced by Columbia Pictures in association with Marvel Enterprises and Laura Ziskin Productions, and distributed by Sony Pictures Releasing. The film stars Tobey Maguire as the titular character, alongside Willem Dafoe, Kirsten Dunst, James Franco, Cliff Robertson, and Rosemary Harris. The film chronicles Spider-Man's origin story and early superhero career. After being bitten by a genetically altered spider, teenager Peter Parker develops spider-like superhuman abilities and adopts a masked superhero identity to fight crime in New York City, facing the sinister Green Goblin in the process.<br/><br/>Development on a live-action Spider-Man film began in 1975. Filmmakers Tobe Hooper, James Cameron, and Joseph Zito were all attached to direct the film at one point. However, the project would languish in development hell due to licensing and financial issues. After progress on the film stalled for nearly 25 years, it was licensed for a worldwide release by Columbia Pictures in 1999 after it acquired options from Metro-Goldwyn-Mayer (MGM) on all previous scripts developed by Cannon Films, Carolco, and New Cannon. Exercising its option on just two elements from the multi-script acquisition (a different screenplay was written by James Cameron, Ted Newsom, John Brancato, Barney Cohen, and Joseph Goldman), Sony hired Koepp to create a working screenplay (credited as Cameron's), and Koepp received sole credit in the final billing. Directors Roland Emmerich, Ang Lee, Chris Columbus, Barry Sonnenfeld, Tim Burton, Michael Bay, Jan de Bont, M. Night Shyamalan, Tony Scott, and David Fincher were considered to direct the project before Raimi was hired as director in 2000. The Koepp script was rewritten by Scott Rosenberg during pre-production and received a dialogue polish from Alvin Sargent during production. Filming took place in Los Angeles and New York City from January to June 2001. Danny Elfman was hired to compose the film's score, while Sony Pictures Imageworks handled the film's visual effects.<br/><br/>Spider-Man premiered at the Mann Village Theater on April 29, 2002, and was released in the United States on May 3. The film received positive reviews from critics and audiences, who praised Raimi's direction, the story, the performances, the visual effects, the action sequences, and the musical score. It was the first film to reach $100 million in a single weekend, as well as the most successful film based on a comic book at the time. With a box office gross of over $825 million worldwide, it was the third-highest-grossing film of 2002, the highest-grossing superhero film, and the sixth-highest-grossing film overall at the time of release. The film garnered nominations for Best Sound and Best Visual Effects at the 75th A")
_un-experts-say-north-korea-missile-landed-in-kharkiv.webp "The debris from a missile that landed in the Ukrainian city of Kharkiv on Jan. 2 was from a North Korean Hwasong-11 series ballistic missile, United Nations sanctions monitors told a Security Council committee")
_aaron-sorkin-planning-a-39social-network39-sequel-92.webp "Aaron Sorkin says he's working on a new potential 'Social Network' sequel. The Oscar-winning screenwriter shared that he's writing a new movie that could serve as a sequel to his 2010 film during a live-from-D.C. edition of 'The Town' podcast.")
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