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Search Results - Showing 108 - 120 Of 127
The Letus Experience
⏲ 1 min 67 sec ✓ 28-Mar-2008
The Key Moment
⏲ 2 min 46 sec ✓ 11-Feb-2013
2013 Directors Reel - 6 Approaches to Sound for Films
⏲ 3 min 69 sec ✓ 20-Sep-2013
KC Deane Mountain Bike Cork 3 and Big Spine Drop In Green River, Utah.
⏲ 1 min 80 sec ✓ 08-Jul-2015
GH4 with the Nikon G to m4 3 Speed Booster
⏲ 1 min 68 sec ✓ 23-Sep-2014
Nakanoki
⏲ 80 sec ✓ 24-Feb-2014
ITS A MALL WORLD ...a poem by a 12\
⏲ 1 min 38 sec ✓ 09-Apr-2009
MTV- Megamind Remix \
⏲ 32 sec ✓ 03-Nov-2010
BAND & CR.ONE - Everyday Struggle
⏲ 1 min 22 sec ✓ 27-Oct-2015
Stelios Manousakis - The Network Is A Blind Space
⏲ 5 min 30 sec ✓ 29-Feb-2012
We Love... Space, June 22nd 2008, week 2
⏲ 3 min 8 sec ✓ 25-Jun-2008
IN-STASIS
⏲ 31 sec ✓ 19-Feb-2012
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_the-key-moment.jpg "The Key Moment is a micro shortfilm based on a true story and inspired by all those weird, miscommunication - lost in translation - wtf moments that emerge while pitching for a foreign client on a long distance conference call.nnAll audio recordings used form part of a real telephone call conversation. The shortfilm was shot in one day with a splendid debutant actor and superb crew and premierely screened at SFNY- The Art of The Pitch, a design conference organized by Stashmedia.nnFor more pleas")
_the-letus-experience.webp "A bunch of shots at the beach, abstract and absurd images from a 20 minute experiment. Trying out tele-shots and running with a 17mm wide-angle on my LEX rig.nnnStuff used:nNikkor glas: 180mm 2.8D and the cool 17-35mm 2.8 ED zoom.nLetus Rod support systemnRedRock micro Follow FocusnVinten Vision6 tripodnDVX100 MiniDVnLetus ExtremenNot graded in a quick and dirty edit with FCPS2.")
_the-key-moment.webp "The Key Moment is a micro shortfilm based on a true story and inspired by all those weird, miscommunication - lost in translation - wtf moments that emerge while pitching for a foreign client on a long distance conference call.nnAll audio recordings used form part of a real telephone call conversation. The shortfilm was shot in one day with a splendid debutant actor and superb crew and premierely screened at SFNY- The Art of The Pitch, a design conference organized by Stashmedia.nnFor more pleas")
_2013-directors-reel-6-approaches-to-sound-for-films.webp "Here are the talented visual artists and directors with whom we were privileged to collaborate on these films.nnWelcome to the Radium Audio 2013 - directors reel - show casing our approach to sound for film in 2013nnCREDITSnPauseFest Opening TitlesnFilm by Studio BreedernStrange ArrangementsnAnimation by WeAreSeventeennMacro Kingdom IIInFilm and After FX by Clemens WirthnMicro EmpirenFilm and After FX by Clemens WirthnHinterlandsnFilm by Sean StiegemeiernPortrait of a SurfernFilm by Stephen Lang")
_kc-deane-mountain-bike-cork-3-and-big-spine-drop-in-green-river-utah.webp "I was asked by photographer Steve Lloyd to help film a project that he and professional mountain biker and skier KC Deane were working on in Green River, Utah. I put together this edit from the footage I captured during our day of shooting together. Parts of this footage will be used in KC's Red Bull Rampage 2015 application video. KC absolutely crushes the two big lines in this video! First action shot opens with KC styling out a huge cork 3 over the saddle of a rocky desert spine with a steep")
_gh4-with-the-nikon-g-to-m4-3-speed-booster.webp "A Shooting by GH4 with the Nikon G to Micro 4/3 Speed Booster.nnCamera & Lens: Panasonic GH4 + Nikon DX 35mm F1.8nND Filter: TIFFEN 72mm Variable ND FilternAperture: OpennISO: 200-800nWhite Balance: 5500KnFrame Rate: 23.98pnShutter Speed: 1/50nRecording Format: MOV 4K/100Mbps 8bit 4:2:0nPhoto Style: Cinelike D (-5, -2,-5,-5,0) nBright/Dark Portions: Highlight -2, Shadow +2nBlack luminance level: Master Pedestal +15nLuminance range: 16-255nRedording Media:Transcend 128GB SDXC UHS-I (U3)nCol")
_nakanoki.webp "A walk through Tokyo’s new hobby central neighborhood Nakano. Our guide on this journey is young Jin Aoki.nDetails//nCamera: Blackmagic Pocket Cinema Camera - BMPCC (Various ASA)nShutter Angle: 172.8nLens: SLR Magic HyperPrime CINE 25mm T0.95 micro four thirdsnComputer: MacBook Pro Retina 11,3nEdit: Premiere CCnColor: Davinci Resolve 10 / 3D LUT (OSIRIS)nGFX: After Effects CC + Neat Video + Film Convert Pro")
_its-a-mall-world-a-poem-by-a-1292.webp "This video shows the testing and editing (maybe the 2nd or 3rd edit??)of only part of the most ambitious and costly miniaturized project to date called")
_mtv-megamind-remix-92.webp "Why should T-Pain and the cast of Glee get to have all the fun? nnThat's what MTV and Dreamworks decided when they approached Click 3x Entertainment to create two :30 second Auto-tune remixes edited from Dreamworks all-new 3D animated marvel,")
_band-amp-cr-one-everyday-struggle.webp "Shot/edit/cut: Gitta, Zizz, BandnFilmed with iPhone 5c nArt: Band & CR. ONEnMusic: The Notorious B.IG. - Everyday Struggle (Micro One remix)nnwww.facebook.com/band1budapestnband1budapest.tumblr.com")
_stelios-manousakis-the-network-is-a-blind-space.webp "The Network Is a Blind Space is a distributed, micro-telematic, interactive sound art installation that explores the physical yet invisible electromagnetic spaces created by WiFi networks. nnWireless network spaces co-exist and interact with physical ones but follow their own rules, which are not always intuitive from the point of view of physical experience. To explore and navigate these spaces a new sense is needed, as vision falls short. The Network Is a Blind Space creates an electromagnetic")
_we-love-space-june-22nd-2008-week-2.webp "The second installment of our micro edit series direct from We Love... Space Sundays 08. Featuring Adam Sky, Alfredo, Tony Haze, Cagedbaby, Streetlife DJs Tiefschwarz, The Ed Banger Crew plus many many more and of course the incredible atmosphere that is We Love... Space.")
_in-stasis.webp "I've had this project knocking around on my hard drive in one form or another for ages and just couldn't seem to get it finished. I'd originally used HECQ's Steeltongued as a guide for the edit and since had a couple of different sound designers look at composing a piece for it, then finally, as much as I loved what they'd created I felt the edit worked best with the original music since I'd edited to it so specifically. I'd done loads more work in tracking in lots of data and graphics etc too (")
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