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Mechanical Vault - Kevin Kutto
Mechanical Vault - Kevin Kutto
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_fits-chart-shaft-and-hole.webp "moodlemech")
_shafts-pt-3-shaft-tolerances-amp-fits-124-mech-minutes-124-misumi-usa.webp "MISUMI")
_caw-medy-of-errors-raised-crow-pushes-the-limits-of-feline-tolerance.webp "This young crow had fallen from its nest, and it was raised for 18 months by a loving family.<br/><br/>However, as time passed, the crow started to notice that the family cat was not too thrilled about its presence.<br/><br/>The clever crow, mischievous in nature, decided to test the cat's patience one day.<br/><br/>It began to hop and flutter around the room, and the cat, intrigued yet annoyed, followed the crow with a frown on its face.<br/><br/>Despite the cat's displeasure, the crow seemed determined to play its little game, making the household a mix of curiosity and irritation.<br/>Location: Sainte-Catherine, France <br/>WooGlobe Ref : WGA306521<br/>For licensing and to use this video, please email licensing@wooglobe.com")
_limits-and-fits-the-iso-system.webp "Tabletop Machine Shop")
_worlds-first-jet-powered-amish-buggy.webp "AN AMISH BUGGY that would normally be drawn by horses has been fitted with a turbo jet engine. “It’s like oil and water, they should not go together,” jokes its creator Chad Clark. The outrageous project, built by Chad Clark and Mike Monter of Millersburg, Ohio was originally meant to be something very different. “Mike and I were at our local county fair, I mentioned it would be really cool to build a turbine-powered four-wheel drive pulling truck,” Chad explained. But the auction description had misrepresented the engine as a turbo shaft engine. “I went home that night, found an engine online and bought it but didn’t realise it was not turboshaft, it was turbojet only,” Chad remembers. They ended up having to use a much lighter vehicle instead of the original truck. “We live in the Amish capital of the world so we figured an Amish buggy would be perfect,” Chad said. Co-creator Mike Monter told Future Studios Cars: “He called me up, said we’re not doing a pulling truck anymore, we’re doing an Amish buggy – seemed natural.” The build and modifications cost around $30,000 and took roughly 700 hours of labour to complete: “Many all-nighters,” Chad said. When out in public, people struggle to believe the bizarre creation actually works. “When people see the Thunder Buggy they can’t believe their eyes and the first question is, does it really move? Yes it does,” explained Chad. Traditionally, these buggies would have been moved by horses so this particular one is far from conventional. “The buggy is not designed to take 100 feet of electrical wiring, fuel tanks and a jet engine,” Chad admitted. With a top speed of 65 miles per hour before the wheels start shaking, this exhibition-only vehicle was not built for speed: “It’s a really simple engine design, it’s some pretty awesome engineering from back in the 40s,” explained Chad.")
_engineering-tolerances-explained.webp "Nathan Nagele")
_limits-tolerance-and-allowance-of-a-hole-and-shaft-in-engineering-fit.webp "Graphix tutors")
_stax-soulsville-u-s-a.webp "STAX Soulsville U.S.A. Trailer HD - Documentary series - Story of an underdog, interracial record label that ushered in the groundbreaking music of Otis Redding, Isaac Hayes, Booker T. & the M.G.’s, The Staple Singers, Sam & Dave and many others - Plot synopsis: By 1973, Stax Records was one of the recording industry’s most influential producers of soul music, breaking acts such as Otis Redding, Isaac Hayes, Booker T. & the M.G.’s, Sam & Dave, and many more. In just under two decades, the scrappy outsider had grown from a modest family-owned record store and studio in Memphis, TN to a trailblazing global music label. STAX: SOULSVILLE U.S.A. chronicles the audacious group of individuals who dared to make music on their own terms, smashing racial barriers and defining an era and leaving an enduring musical legacy in their wake. Driven by a striking collection of restored and remastered archival performance footage and intimate interviews with key players in the label’s remarkable history, STAX: SOULSVILLE U.S.A. details the unlikely origin story of Stax Records and pays tribute to its complex music library and the legendary artists that emerged from the iconic studio.<br/><br/>Founded in 1957 by Jim Stewart and co-owned with his sister, Estelle Axton, the company drew upon a mix of young, local talent – musicians, songwriters, and producers – who would create the unforgettable Stax sound. Against the backdrop of the American south of the ‘50s, ‘60s, and ‘70s, white and Black artists worked together, defying segregation, and producing hits such as “(Sittin’ On) the Dock of the Bay,” “Soul Man,” “Green Onions,” and the Oscar®-winning “Theme from Shaft.” At the peak of its success, Stax artists commemorated the Watts Rebellion by playing to over 100,000 African Americans at the 1972 benefit concert Wattstax. During an era of major social turbulence, systemic inequity, and racial tensions, Stax, an integrated company, saw stunning artistic and cultural success, and managed to rebound from repeated business setbacks and tragic losses before the studio ultimately dissolved after fifteen pioneering years. <br/><br/>STAX: Soulsville, U.S.A.Releases on HBO and Streams on MAX on May 20 & 21st 2024<br/><br/>Directed by Jamila Wignot <br/>Produced by Jamila Wignot and Kara Elverson<br/>Executive Produced by Ezra Edelman, Caroline Waterlow, Nigel Sinclair, Nicholas Ferrall, Scott Pascucci, Sophia Dilley, Michele Smith, Jody Gerson, David Blackman, Charlie Cohen, and Ron Broitman<br/>Featuring Otis Redding, Estelle Axton, Al Bell, Steve Cropper, Isaac Hayes, Booker T. Jones, Sam Moore, Deanie Parker, David Porter, Jim Stewart, Carla Thomas")
_fits-chart-shaft-and-hole.jpg)
_shafts-pt-3-shaft-tolerances-amp-fits-124-mech-minutes-124-misumi-usa.jpg)
_caw-medy-of-errors-raised-crow-pushes-the-limits-of-feline-tolerance.jpg)
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_limits-tolerance-and-allowance-of-a-hole-and-shaft-in-engineering-fit.jpg)
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