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The character Kabir Singh, or Arjun Reddy for that matter, is basically an updated Devdas, a loser in love, with additional anger management issues, who hits the bottle at the drop of the hat. There’s even a Chunni babu in his life in the form of bestie Shiva who keeps coming to his rescue and appears to have no life whatsoever of his own. In fact not a single character in the apology of a script — from his college principal to the family to the hospital staff — seems to have any raison d’etre other than pandering needlessly to a man, who, instead of any sympathy or indulgence for his “troubled” mind needs some serious treatment and therapy to control the inherent noxiousness he is spreading in the world around him. The entire arc of the film is to somehow make his negativity attractive, explain it away as “unconventional” and have him find redemption despite his unforgivable ways. Well, he is a genius at everything after all, even at performing surgeries when he is sloshed and coked out.<br/><br/>Having watched and balked at Arjun Reddy for its celebration of a misogynistic, infantile bully of a hero, Kabir Singh felt like a doubly suffocating experience. One that makes you feel violated. Devdas at least had the headstrong Paro and graceful Chandramukhi, two beholden women alright but with personalities of their own, to bring some sense of balance to the man-woman game. Here the woman is denied any agency whatsoever. She is a property, marked and owned by the man. She will meekly follow him wherever he takes her, eyes always down, is masochistic in allowing herself to bear with his violent ways. While the soulful ditty in the background plays “tujhpe hi to mera haq hai (I have the right on you)”. He is the protector and the saviour.
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Madgaon Express: A Supremely Funny Trip to the Movies.<br/><br/>You know how some movies leave you with a throbbing headache? Madgaon Express left me with a bellyache – but in the best way possible. The buddy comedy made me laugh so hard for so long that it felt like I was avenging all the years of laughing at unintentionally funny films. It’s been a while. Maybe it says something about the emotionally fraught times we live in. Maybe a dam of pent-up smirks in me burst. Maybe this is what the doctor ordered. But it’s more likely that I’m overthinking this reaction: Maybe Madgaon Express is just very successful at tapping a sense of humour that some of us are too shy to reveal. An “accident prone” signpost accidentally reads “accident porn”. A group of Goan gangsters succumb to a post-lunch susegad, leaving their hostages to escape. A don named Mendoza is addressed as everything but his name: Mandakini, Mangola, Madeline. Like Uday Chopra in the Dhoom films, a needy bachelor imagines a musical life montage with the first pretty girl he sees. A coked-up Gujarati dude goes from docile to daring as if it were his superhero alter-ego. A casual chat collapses into the lyrics of an Aashiqui 2 (2013) hit (“sunn raha hai tu?” – “ro raha hu main”). It’s all so gloriously silly – and undeniably nostalgic.<br/>Madgaon Express revolves around three friends on that (un)holy pilgrimage for 80s-born desi males: A Goa trip. Their failed attempts after high school and college make the dream burn brighter. So in 2015, as full-blown but unfulfilled adults, they make the better-late-than-never dash – except Goa is nothing like the movies, and yet it’s everything like the movies. Given Madgaon Express comes from Excel Entertainment, it’s easy to describe it as a middle-class spoof of Dil Chahta Hai (2001) and Zindagi Na Milegi Dobara (2011). The inverted hat tips are everywhere, starting with the DCH title track transitioning from a car stereo to a hospital soundscape. Or the fact that the narrator is the ‘loser’ of the trifecta, Dhanush a.k.a Dodo (Divyenndu), who remains tragically stuck in the past. Unlike the other two, he hasn’t been able to move on, and so he’s spent his years photoshopping a fake life on Facebook – including a ‘by-chance pic’ with Farhan Akhtar and then Anurag Kashyap – with a shot of Kashyap’s reaction “abey, tu hai kaun?” (who the hell are you?) in the comments section. <br/><br/>To hide his jobless living-with-dad reality, Dodo fools the New York-based Ayush (Avinash Tiwary) and Cape Town-based Pratik (Pratik Gandhi) into doing Goa “the way we would’ve done it as college kids – penniless and free-spirited”.
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