_behind-the-biennale-they-come-to-us-without-a-word.jpg "Behind the Biennale: “They Come to Us without a Word” from thomas becoming uncanny Video Screenshot Preview")
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⏲ Duration: 1 min 70 sec
✓ Published: 08-Jun-2015
✓ Published: 08-Jun-2015
Description:
Since the 1970s, pioneering video and performance artist Joan Jonas has called Cape Breton, Nova Scotia, her second home. There, far away from downtown New York, where she settled in the 1960s, Jonas draws inspiration from the arcadian landscape and local ghost stories. In “They Come to Us without a Word,” Jonas fills the Venice Biennale’s United States Pavilion with an immersive installation that explores the transportive, albeit ephemeral, qualities of nature and myth. “The most import
Since the 1970s, pioneering video and performance artist Joan Jonas has called Cape Breton, Nova Scotia, her second home. There, far away from downtown New York, where she settled in the 1960s, Jonas draws inspiration from the arcadian landscape and local ghost stories. In “They Come to Us without a Word,” Jonas fills the Venice Biennale’s United States Pavilion with an immersive installation that explores the transportive, albeit ephemeral, qualities of nature and myth. “The most import
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